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I bought this one when I was playing with a club / cabaret band doing 60's music, to try show willing and to try to fit in with the lead guitarist, who had a similar looking Rickenbacker 12-string guitar. Great to play and gives a quite good variety of sounds. If the 4000 series basses were good enough for Paul McCartney and for The Jam's Bruce Foxton - two of the best bassists ever - they're certanly good enough for me! |
This was an excellent and totally unexpected Christmas present from my wife. The Blue Boy colour at the time was a very limited edition run (although Rickenbacker later did it as a 'colour of the year' edition. This one is a lot more rocky sounding than the fireglo. It has a lot more mid tone to it. I have no idea why, as I have set them both up pretty similarly. The neck feels a bit thicker than my first one, which may have something to do with it. The Blue Boy colour is known to eventually go green after exposure to lights, etc. Mine hasn't done that yet, five years on. |
This is the one of the three that I find that I go to the most. It just has that sound to it and it feels to me to be the most comfortable of the three to play... not that the others are hard to play at all! The bass colour looks different under different lights and this spectacular result is a result of a special combination varnish. A number of the Midnight Blue guitars and basses that Rickenbacker released have been subject to an unfortunate 'bleeding' problem, where the blue goes into the white binding. Mine too. |
This bass is great for the studio. It has just about every variety of tone built in that anyone could need. It's great for live use too and the only thing that could be considred a 'drawback' is the emormous body size. It weighs a ton!! The neck reach is the longest that I've ever had to use. It sounds more like a Rickenbacker at times than my 3 Ric 4003's!!! |
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More here. |
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This has to have the most primitive bridge in the bass world, using a piece of cork! .... and it also has quite cheap looking tuners. Despite indisputable low budget production values, this bass has a great, solid, growling sound. Its short scale makes it very easy to play. The action is nice and low without having to fiddle with it.
It also weighs nothing at all! |
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This bass hung unloved and unwanted on the wall in a Manchester shop for a fair old time. After seeing it there several times, I thought I'd ask to have a go on it. If it had been a regular wooden style Warwick, nice as they are, it wouldn't have got a second look from me. It's a very 'glam rock' type bass and that was what made me look at it. All the Warwicks I've ever picked up have had thick necks like tree trunks and this one is no exception. Because of the rest of the attractions of this bass, I was prepared to give it a serious try and see if I could make myself love it. Fortunately, the neck width was not such an insurmountable issue and it's nice and solid with every note clear and strong and really definite. While the band had to play as a three piece, this was my main stage bass. |
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More here. |
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Warwick Thumb bass (gloss walnut) from the custom shop. |
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My first decent guitar, bought on HP while I was doing my first proper job in a
warehouse, while I was waiting to go to college. |
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![]() Rickenbacker 620 12-string guitar: The guitar I bought after my last one. Well.... I HAD to. |